Home Table of Contents

10 August 2026, Volume 8 Issue 4
    

  • Select all
    |
    Featured Articles
  • XIA Yanjing
    Industrial & Engineering Design. 2026, 8(4): 1-9. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.001
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    Against the backdrop of the rapid advancement and extensive adoption of artificial intelligence (AI) technologies, the design industry is undergoing unprecedented iterative transformation. For designers, the deployment of AI tools not only delivers novel workflows and expanded creative avenues, but also poses a host of challenges. Foremost among these is the highly accessible, all-purpose nature of AI design tools, which stand as an important impediment diluting designers' creative capabilities, and even threatens their originality. The impact brought by the highly simulated generation method of AI cannot be ignored… This is not alarmist rhetoric, but an unavoidable, tangible reality. Furthermore, this predicament is growing increasingly imminent. The occupational "crisis" confronting designers extends far beyond individual career difficulties; it represents an urgent reality that the entire design industry and design education systems at large must squarely address.
  • Design Theory
  • WANG Min
    Industrial & Engineering Design. 2026, 8(4): 10-20. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.002
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    In the field of design studies, discussions on "wicked problems" have long focused on the integration of interdisciplinary professional knowledge and have advocated the use of design thinking and human-centered approaches to seek "problem-solving" solutions. However, implicit social narratives profoundly influence the complexity and solvability of such "wicked problems". Existing design research tends to frame "wicked problems" merely as "designable" objects, while paying relatively little attention to reflecting on "whose problem it is" and "for whom the design is intended".===By adopting a literature review and timeline analysis approach and drawing on the major theoretical milestones in the development of "wicked problems", the work aims to examine the underlying social and cultural factors involved, as well as the evolution of theories and paradigm shifts. By systematically reviewing the key perspectives from earlier research on "wicked problems", a paradigm transition in design from the traditional "problem-solving" model toward "problem framing and co-evolution" is proposed. The primary contribution of this work lies in reconstructing the theoretical foundation of "wicked problems" from a social constructionist perspective. Through genealogical analysis, it reveals the characteristics of this paradigm shift, thereby providing an interdisciplinary explanatory framework for the study and understanding of such issues. The social construction of design problems is not merely a shift in perspective for examining "wicked problems". More importantly, it offers a solid methodological foundation for designers to transition from "responders" to "co-creators".
  • ZOU Qichang
    Industrial & Engineering Design. 2026, 8(4): 21-31. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.003
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    As an emerging interdisciplinary field, rural designology is an important part of building the knowledge system of independent design in China. This article takes the construction of the theoretical system of contemporary Chinese designology that the author has continuously explored over more than twenty years (2004-2026) as its academic background, and uses the "Design-world" as its logical basis to systematically elaborate on the core theoretical issues of rural designology. The article delves into the research object of rural designology—whole-life design, and clarifies its core principles of "benefiting people from nature", worldview and methodology "systems thinking", epistemology "opening theory", and outcomes theory "theory of knowledge and action to achieve success". On this basis, the article constructs six core structural systems for rural designology—Production Designology, Life Designology, Ecological Designology, Cultural Designology, Social Designology, and Educational Designology—and explores their future development paths. The study believes that the rural designology system is a comprehensive design theoretical framework based on the concept of whole-life design and fundamentally based on the principle of "benefiting people from nature". This system is fundamentally based on agricultural design, with industrial design, digital intelligent design, and service design as tools, integrating the three major designology subsystems of rural production, living, and ecology (i.e., the "integration of three rural aspects"), and exhibits a holographic structural feature. Its essence is a future-oriented designology system, which holds significant theoretical value and practical significance for promoting comprehensive rural revitalization and achieving urban-rural integrated development.
  • Design Focus
  • DONG Yumei, JIANG Xuya
    Industrial & Engineering Design. 2026, 8(4): 32-40. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.004
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    This paper presents a systematic study of age-friendly design standards in the context of an aging population, aiming to understand the scope and development status of these standards, provide a reference for improving the standard system, and offer design guidelines for researchers and designers in age-friendly design. A search is conducted with the keyword "age-friendly" on the National Public Service Platform for Standards Information. Through a statistical analysis of the number, time series, spatial distribution, technical classification, and industry categorization of the identified standards, the study outlines the development profile of age-friendly standards in China. From the perspective of standard implementation objects, the paper provides a detailed review of age-friendly standards across four aspects: physical products and facilities, environments, digital and intelligent products and information interaction, and services. On this basis, common principles of age-friendly design are further summarized. The findings indicate that age-friendly standards are accelerating their evolution from physical accessibility to digital and intelligent accessibility as well as service-oriented accessibility. They also reflect a shift from addressing specific functional needs to emphasizing a humanistic approach to universality. However, significant shortcomings remain in terms of category coverage, precise adaptation to diverse user groups, and effectiveness evaluation. Future efforts should focus on continuously improving the age-friendly standard system.
  • Talks among Design Youth
  • WANG Linlin, WANG Yingji, WU Jiarui
    Industrial & Engineering Design. 2026, 8(4): 41-52. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.005
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    This study aims to clarify the research status and developmental dynamics of situational narrative design for museum cultural heritage exhibitions in the digital-intelligence era, and to further construct a systematic theoretical framework of situational narrative design for exhibitions. Based on the PRISMA systematic literature review method, this research conducted literature identification, screening, and analysis centered on the key words "museums", "cultural heritage exhibitions", and "situational narrative design". By integrating bibliometric tools, including CiteSpace and VOSviewer, visual analysis and thematic interpretation were performed on publication volume, research institutions, and key word co-occurrence to reveal research status, research hotspots and frontier trends systematically. The findings indicate that situational narrative design is emerging as a novel framework for exhibition narrative design. Current research primarily focuses on three themes: "Spatial Narrative Design", which integrates architectural and landscape narrative theories, and has rich research achievements; "Interactive Digital Narrative Design", which focuses on human-computer interaction, interface design, and the psychological mechanisms of visitors within exhibitions; and "Situational Narrative Design", which leverages the spatio-temporal characteristics of digital technology media to create an immersive narrative situation that bridges the past and present within museum hybrid spaces. The situational narrative design of museum exhibitions constitutes a tripartite network of "Human", "Narrative", and "Media/Environment". This perspective transcends the traditional "Human-Object" binary ontology and facilitates a narrative shift from object-centered to human-centered in museum exhibition design within the digital-intelligence era.
  • Design Innovation and Application
  • SHI Chunsheng, LIU Yihe
    Industrial & Engineering Design. 2026, 8(4): 53-63. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.006
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    The 15th National Games is jointly hosted for the first time by the Guangdong-Hong Kong-Macao Greater Bay Area as a regional unit, marking a significant shift in event organization from single-city to regional collaboration. The work aims to explore innovative approaches for the visual color system of regional large-scale sports events from the perspective of Guangdong-Hong Kong-Macao regional collaboration. Based on the design practice of the visual color system for the 15th National Games and set against the backdrop of the Greater Bay Area, a standardized color system is established by combining regional color extraction and systematic construction. Then, methods and frameworks for extracting color systems applicable to large-scale urban agglomerations are developed. Through the narrative application of core graphics, a visual identity system with regional characteristics and event-specific features is constructed. This work provides theoretical foundations and practical references for constructing color systems for future regional large-scale sports events and demonstrates that a regionally characteristic color system can effectively enhance visual unity, promote regional cultural communication, and strengthen the event's brand influence.
  • AN Junfang, HU Ruibo, AN Jianyong
    Industrial & Engineering Design. 2026, 8(4): 64-74. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.007
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    This study conducts a systematic and visualized knowledge mapping analysis of existing literature on printing and dyeing in Guizhou from a quantitative perspective, aiming to provide insights for theoretical research and practical exploration in this field. Employing bibliometric methods, this paper objectively presents the research status, hotspots, and trends through a visual analysis of publication volume, research institutions, communication carriers and discourse development. The results indicate that research on printing and dyeing in Guizhou exhibits distinct phasic characteristics and an overall upward trend. There is a significant geographical correlation between research institutions and the regions where these crafts are practiced, with higher education institutions playing a dominant role. Key research hotspots include cultural connotations, artistic characteristics, inheritance, development, application, design innovation, and the role of the craft in rural revitalization. The number of high-frequency keywords has gradually increased with the diversification of research content, indicating a shift from a singular focus to comprehensive, multi-faceted coverage. The research has evolved from macro-discourse to micro-analysis, from basic theories to applied innovation, and from cultural protection to cultural industrialization. This trajectory demonstrates a trend towards greater depth, focus, and diversity. While current research has yielded significant theoretical and practical achievements, there remains an overall lack of interdisciplinary, systematic, and structured studies.
  • ZHONG Yuwei, CHEN Lei
    Industrial & Engineering Design. 2026, 8(4): 75-83. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.008
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    The work aims to study "Binbin" and "Nini," the official mascots of the 9th Asian Winter Games, to systematically analyze the operational mechanisms and practical pathways of anthropomorphic design strategies in mascot design for major international sporting events. The case study methodology is employed to conduct a systematic analysis on the mascot design process across four dimensions of prototype selection, character setting, image design, and extended application design. The anthropomorphic strategy at each practice stage is examined in depth and further interpreted through the lens of Stuart Hall's Representation theory. The findings reveal that positioning culture as the core driver and anthropomorphic design as the medium of cultural translation through which cultural elements are integrated into the mascot's images constitutes the strategic core of effective mascot design. In the mascot design of major international sporting events, the organic integration of cultural depth and anthropomorphic design constitutes a complete strategy for constructing cultural meaning, providing a fundamental pathway through which mascots can transcend their role as visual images to become carriers of cultural significance.
  • LI Xiaobin, FENG Hao, CHEN Jizhou, ZHU Rong
    Industrial & Engineering Design. 2026, 8(4): 84-96. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.009
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    Former residences of historical figures preserve rich historical and cultural information, possess value for historical research, cultural communication and tourism development, and constitute an important component of the cultural heritage system. Systematically identifying their material components and cultural meanings is essential for effective conservation and heritage transmission. Focusing on 152 former residences of historical figures in Yangzhou and employing spatial information technology and cultural gene identification methods, the work aims to systematically construct the cultural gene framework of these residences. Based on the analysis of cultural gene variation and inheritance, targeted protection and inheritance strategies are proposed. The results show that the spatial distribution of former residences of historical figures in Yangzhou exhibits obvious unevenness, presenting an overall pattern of "concentrated in urban areas and sparse in surrounding regions", with 73% of these former residences located within Yangzhou's historic urban area. 10 elements across three dimensions of spatial layout, architectural character, and cultural attributes jointly constitute the cultural gene framework for former residences of historical figures in Yangzhou. The identified cultural genes encode multiple layers of meaning, including ecological wisdom "aligned with nature", spatial principles of "yin-yang balance", "intergenerational" family ethos, a sense of responsibility "linking family and nation", and an "inclusive cultural disposition". These findings clarify both the material structure and cultural significance of the sites, provide an evidence base for conservation and adaptive use, and offer a transferable approach for the sustainable management of comparable heritage resources.
  • GAN Wei, LIU Yanjun, LI Minying, HUANG Ren
    Industrial & Engineering Design. 2026, 8(4): 97-110. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.010
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    In response to the international research trend in medication labels, which has shifted from the optimization of isolated visual elements toward evidence-based and standardized approaches to content, presentation, and information architecture, the work aims to explore age-friendly design strategies for pharmacy-generated medication labels. A mixed-method research approach is adopted to analyze 36 outpatient medication labels in Guangzhou, alongside interviews with elderly users and pharmacists. Readability tests involving three font types and three font sizes are conducted on 60 community-dwelling older adults (aged 60 to 81 years, who are capable of independent medical consultation and medication self-management, excluding individuals with severe visual impairment or diagnosed cognitive disorders). Internationally used United States Pharmacopeia pictograms are selected for comprehension test and subsequent optimization. Formative evaluations are then conducted on the optimized medication label and three types of medication instruction sheets. The font experiment indicates that Heiti performs better than the other fonts in reading time, accuracy, and visual comfort, with 16-point Heiti showing the best overall performance. This indicates that readability depends not only on enlarged font size, but also on character contour, stroke clarity, and the efficiency of key word recognition. The pictogram test shows that internationally used pharmaceutical pictograms are not inherently cross-culturally universal among elder Chinese users. Of the 17 pictograms tested, only four are adequately understood. Misinterpretations mainly stem from differences in daily life symbols, ambiguous action features, and unclear representation of temporal relationships. The semantic matching of the optimized pictograms related to medication timing improves markedly. The evaluation of medication instruction sheets for multiple medications shows that the time-sequence-oriented architecture is selected by 70% of users, suggesting that elder users prefer medication information to be reorganized into an executable sequence integrating drug name, dosage, timing, and precautions. Age-friendly medication label design should be developed across three levels: textual display, pictorial semantics, and executable information structure, thereby forming an evidence-based system integrating "content, format, and structure". The findings of this work are primarily applicable to community-dwelling older adults with basic capacity for independent medical consultation and medication management.
  • ZHANG Peiyu, ZHAO Jing
    Industrial & Engineering Design. 2026, 8(4): 111-118. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.011
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    Digital technologies have reshaped the inheritance ecosystem of intangible cultural heritage (ICH), and user demands serve as the core anchor for the digital cultural communication and market-oriented transformation of heritage. This study aims to analyze the value structure of user demands in the intelligent design transformation of Yingshan Winding Flower, a Jingchu intangible cultural heritage, and explore its innovative paths of digital cultural development and market application. Adopting the Grounded Theory, this paper conducts three-level coding on in-depth interview data from 32 users to construct a user demand value model for the intelligent design transformation of Winding Flower, and carries out targeted design practices based on the model. A theoretical user demand value model is established, which covers four dimensions: original intrinsic value, living heritage value, synaesthetic perceptual value, and production-consumption value. Corresponding to the four dimensions, four design strategies are proposed, namely, precise translation and in-depth internalization of cultural symbols based on the original intrinsic value, cross-scenario collaboration and cultural space construction based on the living heritage value, multimodal interaction and immersive experience design based on the synaesthetic perceptual value, and co-creation ecosystem construction and market closed-loop formation based on the production-consumption value. Centered on user demands, starting from aesthetic identity, and targeting cultural recognition and market acceptance, this research provides a reusable theoretical framework and practical approach for the intelligent design transformation of intangible heritage handicrafts.
  • CHANG Lingli
    Industrial & Engineering Design. 2026, 8(4): 119-129. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.012
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    Centering on user needs, this study systematically maps the current landscape of red-themed cultural and creative design in Chongqing and explores how digital cultural and creative design can empower the city's red culture. To address persistent problems, heavy-handed didacticism, outdated forms, and insufficient emotional resonance, the paper delves into the cultural fabric of the revolutionary newspaper "Tingjin Bao" and draws on an emotional design framework structured around "perceptual simulation-experience design-reflective construction". Building on this, it develops a digital cultural and creative design framework that integrates "dual-context fusion + embodied interaction + self-reconstruction", providing an actionable and verifiable set of practical methods and pathways for the digital communication of Chongqing's red culture.
  • WANG Chen, WANG Ziyun
    Industrial & Engineering Design. 2026, 8(4): 130-142. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.013
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    In response to the issue that the utilization of architectural heritage in the industry often remains at the superficial level of visual symbol collage, the work aims to explore the value logic of architectural heritage translated into game mechanics in action role-playing games (ARPGs) from the perspective of player experience, analyze its pathway in the generation of immersive experiences, and reveal the mechanism by which scene resources are embedded into game structures. Three Souls-like ARPGs developed by FromSoftware, including Dark Souls III, Sekiro: Shadows Die Twice, and Elden Ring, were selected as research subjects. Under the framework of immersion theory, grounded theory is employed to conduct a three-level coding analysis of player review data, identifying triggers of immersive experiences through a bottom-up approach. On this basis, the underlying game mechanism structures are inferred from experiential outcomes, and the value dimensions and translation pathways of architectural heritage are abstracted, constructing a "game scene-immersion mechanism" relation model. The architectural heritage collaboratively drives the generation of immersive experiences through three pathways: perception, challenge, and narrative. In the process of digital translation, it presents three core values: physical resource value lays the perceptual foundation in the sensory dimension, spatial structural value builds the gameplay framework in the challenge dimension, and cultural symbolic value carries meaning in the narrative dimension. In conclusion, architectural heritage does not merely function as visual material. Instead, through value reconfiguration, it becomes embedded within game mechanics and narrative systems, serving as an important structural resource for the generation of immersive experiences. This work reveals the translation pathways of architectural heritage in the context of digital games, bridges the design logic from visual resources to experiential mechanisms, and provides theoretical reference and practical guidance for the digital translation of cultural heritage.
  • Promotion for Key Art Projects of National Social Science Fund
  • ZHANG Ming, YU Kai
    Industrial & Engineering Design. 2026, 8(4): 143-156. https://doi.org/10.19798/j.cnki.2096-6946.2026.04.014
    Abstract ( ) Download PDF ( )   Knowledge map   Save
    In the context of cultural globalization, the work aims to explore how to reframe China's contemporary creation spirit and shape a new cultural form for Chinese-style modernization. Addressing the fragmented nature of existing research and the lack of a complete theoretical framework, the concepts, pathways, methods, and communication mechanisms of modern translation design of traditional creation are systematically investigated by clarifying the relevant theoretical framework and research progress. Then, theoretical and practical analysis are conducted on seven dimensions, including material and structural methods, use and perception methods, aesthetics and expression methods, emotion and experience methods, production and organization methods, social interaction methods, and digital production methods. On this basis, a design paradigm that balances regional characteristics with globalization is developed to promote international exchange and mutual learning between civilizations and advance contemporary design innovation, providing a reference for deepening theoretical understanding, design practice innovation, and cross-cultural interpretation.