以日本殖民统治时期台湾为背景,讨论颜水龙于20世纪30年代的本土工艺调查。通过史料研究与分析梳理了工艺调查的内在线索,揭示出日据时期台湾工艺现代化转型中的复杂性和矛盾性。使用文献研究法,对颜水龙的生平经历、理念变化、调查经过和其他工艺活动进行细节还原,结合日本殖民政策进行关联分析,探讨殖民语境下颜水龙的工艺调查与产业振兴策略的“文化保存理想”“产业振兴梦想”与“殖民控制现实”间的复杂关系。颜水龙20世纪30年代的台湾工艺调查虽积累了台湾工艺最系统的文献记录,但其调查成果客观上被纳入殖民资源控制与开发体系。表明殖民语境下的文化和产业振兴举措难以与宗主国主导的殖民体制所抗衡。

With Taiwan under Japanese rule as its backdrop, the work aims to discuss Shui-long Yen's indigenous craft surveys in the 1930s. Through historical research and analysis, the internal clues of the craft surveys are sorted out, revealing the complexity and contradictions of Taiwan craft modernization during the Japanese colonial period. Then, the literature review method is adopted to reconstruct the details of Shui-long Yen's life experiences, ideological changes, survey processes, and other craft activities. By combining these with an analysis of Japanese colonial policies, the complex relationship between Shui-long Yen's craft surveys and industrial revitalization strategies in the colonial context is investigated, specifically the "ideal of cultural preservation", the "dream of industrial revitalization", and the "reality of colonial control". Although Shui-long Yen's craft surveys in Taiwan during the 1930s accumulate the most systematic documentary records of Taiwan crafts, the results of his surveys are objectively incorporated into the colonial resource control and development system. This indicates that cultural and industrial revitalization initiatives under colonial contexts are difficult to reconcile with the colonial system dominated by the colonial power.