Driven by the rural revitalization strategy, the work aims to construct a "Three-Dimensional Driving Model of Grand Art Concept" based on systematic design methodology to address the challenges of cultural discontinuity, absence of local agency, and ecological imbalance in the process of art intervention in rural areas. The model adopts an integrated framework comprising the "natural geographical ecology layer—local cultural gene layer—external force collaboration layer." Specifically, it integrates ecological wisdom in the geographical dimension to reconstruct and restore human-land relationships, activates local cultural genes in the indigenous dimension to regenerate rural memory, and establishes multi-directional empowerment through diverse fluid artistic practices in the external dimension to reshape intervention ethics. At the policy level, the Grand Art Concept aligns deeply with China's rural natural fabric and historical-cultural context, forming systematic indigenous development principles. At the practical level, approaches such as "participatory rural construction" and "ecological restoration" facilitate collaborative innovation between art and rural communities by restructuring power dynamics. The research demonstrates that this innovative model, grounded in holistic thinking and systematic integration, offers a design paradigm with both theoretical originality and practical value for rural revitalization.