From the interdisciplinary perspective of art history and design studies, the work aims to take textiles as a case study to explore the evolutionary logic of Constructivism between artistry and practicality. Under the background of industrial and technological development, Constructivist textiles realize the transformation from Suprematist artistic speculation to industrial art practice through the concept of "production art". By integrating elements of national decorative traditions, Constructivist textiles generate a distinctive geometric abstract language. These works not only embody the ideal of art for the masses but also adapt to the needs of industrial production. Such formal and functional innovations lay the foundation for modernist design. Therefore, by analyzing the transformation of visual characteristics in Constructivist textile patterns during the process of modernization and industrialization, this work reveals their role in technological innovation, functional optimization, and the construction of aesthetic systems, thereby extending the applicability of Constructivist art theory within modern design and offering new theoretical perspectives for contemporary design practice in the context of technological revolution.
Key words
Constructivism /
textile patterns /
production art /
geometric abstraction /
non-objective art
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