The work aims to address the innovation bottlenecks and lack of user interaction faced by traditional leather handicrafts in today's market by exploring an innovative design approach based on the EEI model, thereby boosting user participation and product innovation. By analyzing the EEI model's theoretical framework and integrating emotional and participatory design methods, a "user-participation-experience" design strategy is constructed. User behaviors are observed and analyzed via workshop experiments, and the feasibility of the strategy is verified through design practice. The effectiveness of the design strategy is also evaluated quantitatively through questionnaires. An innovative participatory design strategy based on the EEI model is proposed, and a hierarchical design model with three layers of need perception, behavioral interaction, and experiential sublimation is established. Additionally, the effectiveness of the model in enhancing user emotional resonance and creative participation is validated through product development practice. The application of the EEI model breaks the traditional one-way creation mode of handicrafts, establishing a design mechanism with deep user participation. It also provides innovative methodological support for the living inheritance of intangible cultural heritage and opens new paths for the modern transformation of traditional handicrafts.
Key words
user experience /
EEI model /
participatory design /
traditional leather carving handicraft
{{custom_sec.title}}
{{custom_sec.title}}
{{custom_sec.content}}
References
[1] 梁斌,向飞帆. 基于EE体验模型的农村旅游信息导向系统设计——以泰安里峪村为例[J]. 设计,2024,37(8):99-101.
[2] 胡飞,冯梓昱,刘典财,等. 用户体验设计再研究:从概念到方法[J]. 包装工程,2020,41(16):51-63.
[3] 华晨钰. 基于体验设计的美术类产品设计方法研究[D]. 南京:南京航空航天大学,2022.
[4] 王俐晴,汪哲皞. 基于体验EEI模型下艺术展览中环境图形营造思路研究[J]. 建筑与文化,2023(5):254-256.
[5] 辛向阳. 从用户体验到体验设计[J]. 包装工程,2019,40(8):60-67.
[6] 王愉,辛向阳,虞昊,等. 大道至简,殊途同归:体验设计溯源研究[J]. 装饰,2020(5):92-96.
[7] 毕灵秀. 基于情感交互体验的金沙河挂面包装设计研究与应用[D]. 石家庄:河北科技大学,2024.
[8] 胡飞,姜明宇. 体验设计研究:问题情境、学科逻辑与理论动向[J]. 包装工程,2018,39(20):60-75.
[9] 宗成武,聂文皓,许莹莹. 价值共创视域下参与式品牌形象设计模式探究[J]. 包装工程,2024,45(16):204-212.
[10] KERR J,WHELAN M,ZELENKO O,et al.Integrated Co-Design: A Model for Co-designing with Multiple Stakeholder Groups from the 'fuzzy' front-end to Beyond Project Delivery[J]. International Journal of Design,2022,16(2):75-90.
[11] LEE J,JAATINEN M,SALMI A,et al.Design Choices Framework for Co-Creation Projects[J]. International Journal of Design,2022,12:15-31.
[12] SANDERS E B,STAPPERS P J.Co-Creation and the New Landscapes of Design[J]. CoDesign,2008,4(1):5-18.
[13] KLEINSMANN M,VALKENBURG R.Barriers and Enablers for Creating Shared Understanding in Co-Design Projects[J]. Design Studies,2008,29(4):369-386.
[14] 纪玉洁,刘娜. 蒙古族皮雕艺术在文创产品中的应用研究[J]. 天工,2024(32):64-66.
[15] 温晓婷. 蒙古族传统纹样在皮雕类文创产品中的应用研究——以五当召《传说》系列设计为例[D]. 杭州:浙江理工大学,2019.
[16] 张亚辉,朱诗怡. 基于体验EEI模型下的金秀瑶族包装设计路径研究[J]. 中国包装,2024,44(6):70-72.
[17] SANTAGATA W. Cultural Districts,Property Rights and Sustainable Economic Growth[J]. International Journal of Urban and Regional Research,2002,26(1):9-23.
PDF(5878 KB)
