从艺术史与设计学的交叉视角出发,以纺织品为例,探讨构成主义在艺术性与实用性之间的演变逻辑。构成主义纺织品在工业科技发展的背景下,通过“生产艺术”理念实现了从至上主义艺术思辨到工业艺术实践的转型,在吸收民族传统装饰元素的基础上生成了构成主义特色的几何抽象语言;其既承载着大众化的艺术理想,又适应了工业化生产需求,这种形式创新与功能性创新为现代主义设计奠定了基础。因此,通过分析构成主义纺织品图案在现代工业化进程中视觉特征的转换,揭示其在技术革新、功能优化及审美体系构建中的作用,从而拓展构成主义艺术理论在现代设计中的适用性,为科技革命背景下的当代设计实践提供新的理论视角。
Abstract
From the interdisciplinary perspective of art history and design studies, the work aims to take textiles as a case study to explore the evolutionary logic of Constructivism between artistry and practicality. Under the background of industrial and technological development, Constructivist textiles realize the transformation from Suprematist artistic speculation to industrial art practice through the concept of "production art". By integrating elements of national decorative traditions, Constructivist textiles generate a distinctive geometric abstract language. These works not only embody the ideal of art for the masses but also adapt to the needs of industrial production. Such formal and functional innovations lay the foundation for modernist design. Therefore, by analyzing the transformation of visual characteristics in Constructivist textile patterns during the process of modernization and industrialization, this work reveals their role in technological innovation, functional optimization, and the construction of aesthetic systems, thereby extending the applicability of Constructivist art theory within modern design and offering new theoretical perspectives for contemporary design practice in the context of technological revolution.
关键词
构成主义 /
纺织品图案 /
生产艺术 /
几何抽象 /
无物象艺术
Key words
Constructivism /
textile patterns /
production art /
geometric abstraction /
non-objective art
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基金
国家社会科学基金重大项目（21ZD27）; 国家社科基金艺术学一般项目（25BG153）
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