现有研究多聚焦《黑神话：悟空》的技术突破与商业成功,对其激发的青年群体“黑暗权谋风”叙事转向缺乏深入阐释。研究旨在揭示该游戏作为症候性文本,如何成为青年群体回应结构性焦虑的文化实践载体,探讨后“悟空”时代青年叙事转向的社会文化机理。以斯图亚特·霍尔“接合理论”为分析工具,将游戏文本作为青年文化转向的症候性标本,考察传统神话资源与西方黑暗美学如何通过视觉符号与叙事策略完成接合。研究发现,青年群体的叙事转向并非游戏工业的风格迭代,而是面对结构性焦虑时的文化应对。青年通过挪用传统神话的反抗基因、嫁接西方黑暗美学的视觉语法,在主流规训与亚文化自主的张力之间建构出兼具抵抗性与妥协性的“灰色表达”空间。该游戏所激发的国族叙事黑暗书写,成为亟待研判的社会文化议题。

The existing research mostly focuses on the technological breakthrough and commercial success of' Black Myth · Wukong ', and lacks in-depth interpretation of the narrative turn of the youth group 's ' dark power style ' inspired by it. The purpose of this study is to reveal how the game, as a symptomatic text, has become a cultural practice carrier for youth groups to respond to structural anxiety, and to explore the social and cultural mechanism of youth narrative turn in the post- ' Wukong ' era. Taking Stuart Hall 's " engagement theory " as an analytical tool, this paper takes the game text as a symptomatic specimen of the youth cultural turn, and examines how traditional mythological resources and Western dark aesthetics complete the engagement through visual symbols and narrative strategies. The study found that the narrative turn of youth groups is not a style iteration of the game industry, but a cultural response to structural anxiety. By embezzling the resistance genes of traditional myths and grafting the visual grammar of Western dark aesthetics, the young people construct a ' gray expression ' space with both resistance and compromise between the tension of mainstream discipline and subculture autonomy. The dark writing of national narrative inspired by the game has become a social and cultural issue that needs to be studied and judged.