以扎根理论为研究方法,从实证资料出发,探讨漆艺文创在当代设计语境中的运行机制,构建系统性的“漆艺文创设计三层互动模型”。采用扎根理论的开放性编码、主轴编码与选择性编码研究步骤,对社交媒体文本、从业者访谈及产品案例进行系统分析。研究遵循理论取样与持续比较原则,从原始资料中提炼概念、理论抽样直至达到理论饱和,形成核心范畴并构建理论模型。研究结果显示,漆艺文创设计的运行逻辑体系,具有多主体协同的动态特征。价值生成层奠定文化认同与审美认知基础,实践转化层促进设计语言与工艺技术的融合,结构支撑层则通过产业链建设与社会参与构成运行框架,实现文化价值再生产与可持续发展。其构建的三层互动模型揭示了漆艺文创设计的系统创生机制,为非遗工艺的现代转化提供了可操作的理论模型与实践路径。
Abstract
By adopting the grounded theory as the research method and starting from empirical data, the work aims to explore the operational mechanism of lacquerware cultural and creative products within the contemporary design context and construct a systematic "Tripartite Interaction Model for Lacquerware Cultural and Creative Design". By employing the research steps of the grounded theory, including open coding, axial coding and selective coding, a systematic analysis is conducted on social media texts, practitioner interviews and product cases. Following the principles of theoretical sampling and constant comparison, concepts are extracted from raw data and theoretical sampling is performed until theoretical saturation is achieved, thereby forming core categories and constructing a theoretical model. The research findings indicate that the operational logic system of lacquerware cultural and creative design exhibits dynamic characteristics of multi-agent collaboration. The value generation layer establishes the foundation of cultural identity and aesthetic cognition, the practice transformation layer facilitates the integration of design language and craftsmanship techniques, and the structural support layer forms the operational framework through industrial chain construction and social participation, thereby achieving cultural value reproduction and sustainable development. The constructed tripartite interaction model reveals the systematic generative mechanism of lacquerware cultural and creative design, providing an operational theoretical model and practical pathway for the modern transformation of intangible cultural heritage crafts.
关键词
扎根理论 /
漆艺文创 /
互动模型 /
设计创新 /
产业生态
Key words
grounded theory /
lacquerware cultural and creative product /
interaction model /
design innovation /
industrial ecology
{{custom_sec.title}}
{{custom_sec.title}}
{{custom_sec.content}}
参考文献
[1] 中国政府网. 三部门关于推动工艺美术行业传承创新发展的指导意见[EB/OL]. (2024-07-17)[2025-10-26]. https://www.gov.cn/zhengce/zhengceku/202407/content_6965230.htm.
[2] 国家统计局. 2024年全国文化及相关产业发展情况报告[EB/OL]. (2025-06-27)[2025-10-26]. https://www.stats.gov.cn/sj/zxfb/202506/t20250627_1960269.html.
[3] BALYAN V,KUMAR P,RATHEE M.Modelling Success Factors for Sustainable Growth of the Handicraft Industry in Extreme Weather Region[J]. International Journal of Mathematical,Engineering and Management Sciences,2025,10(4):1156-1177.
[4] MEGHASREE V,NAGENDRA GUPTHA C K. Competitiveness Enablers in Handicraft Toy Manufacturing Industries Based on ISM-Fuzzy MICMAC Analysis[J]. IEEE Access,2025,13:107067-107079.
[5] SHAFI M,SZOPIK-DEPCZYŃSKA K,CHEBA K,et al.Innovation in Traditional Handicraft Companies towards Sustainable Development.a Systematic Literature Review[J]. Technological and Economic Development of Economy,2022,28(6):1589-1621.
[6] PANNEELS I.The Quintuple Bottom Line:A Framework for Place-Based Sustainable Enterprise in the Craft Industry[J]. Sustainability,2023,15(4):3791.
[7] YIN J, SIN Y, WANG X.The Practical Path of the Living Inheritance of Miao Embroidery Cultural Genes: An Exploratory Study Based on Grounded Theory[J]. European Journal for Philosophy of Religion,2024,16(4):105-132.
[8] DASSOULI S,SATT H,BODOLICA V,et al.A Grounded Theory Approach to Technology Adoption in SMEs:An Analysis of Handicraft Companies in Morocco[J]. Management Revue,2024,35(2):247-276.
[9] ROY S,MOHAPATRA S.Exploring the Culture-Creativity-Innovation Triad in the Handicraft Industry Using an Interpretive Approach[J]. Journal of Business Research,2023,156:113460.
[10] 张嘉欣,梅芷悦. 基于扎根理论的博物馆盲盒消费需求分析及其设计策略研究[J]. 包装工程,2024,45(2):339-347.
[11] 张安华,徐坤. 基于AHP-扎根理论的南朝石刻文化基因传承及设计转化[J]. 南京艺术学院学报(美术与设计版),2023(3):184-190.
[12] 李星明,李笑玲,时朋飞,等. 基于乡愁文化基因解码的乡村文旅融合路径研究[J]. 西南大学学报(社会科学版),2024,50(1):156-164.
[13] 陈伟长,吴迪,蔡双艳,等. 基于层次分析法与扎根理论的闽南宫庙壁画皮雕文创产品设计[J]. 皮革科学与工程,2025,35(5):105-111.
[14] 于雷,陈国强,李爽汲,等. 基于青年群体情感认知的旅游文创产品动态开发策略研究[J]. 包装工程,2025,46(8):164-178.
[15] 陈郭竞,徐进波,张志鹏,等. 符号学视域下连珠纹在文创产品上的创新设计研究[J]. 包装工程,2025,46(8):179-190.
[16] 刘宗明,李朝阳,柯晓诺. 符号学视域下盘瑶服饰纹样解码与设计转译[J]. 包装工程,2025,46(22):415-428.
[17] 刘宗明,辛盈,李朝阳. 符号学视阈下澄城刺绣的设计转译与创新研究[J/OL]. 包装工程,(2025-09-10)[2025-11-17]. https://link.cnki.net/urlid/50.1094.tb.20250909.1442.002.
[18] 王伟,江楠. 基于符号学理论的楚漆器纹样文创产品设计研究[J]. 设计,2025,38(19):44-48.
[19] 唐颖,于知微. 传统服饰节约工艺文化基因图谱的构建与设计转译[J]. 毛纺科技,2025,53(11):102-111.
[20] 吴晶晶,赵慧雯. 基于感性工学与AIGC的泉州提线木偶文创设计转译研究[J]. 包装工程,2025,46(16):308-319.
[21] 刘高璐,赵志勇. 数智技术双链协同赋能乡村文创价值共创[J]. 包装工程,2025,46(20):524-536.
[22] 高登科. 传统工艺振兴与文化生态重构——从品牌建设维度反思中国传统工艺企业发展[J]. 美术大观,2024(6):128-131.
[23] 祝晓彤,王立强. 传统手工艺区域品牌的塑造与传播路径探析——以“山东手造”为例[J]. 东岳论丛,2024,45(6):45-53.
[24] 李晓岑. 论传统工艺的传承及传承人的培养[J]. 自然辩证法研究,2023,39(5):113-119.
[25] 刘海峰,陈虹利,洪波. 江苏沿江地区传统工艺现状分析与高质量传承发展思考[J]. 东南文化,2024(3):20-26.
[26] 张军. 从“手工精致”到“精益生产”:传统手工艺模件化的身份转型[J]. 美术观察,2025(3):93-95.
[27] 韦玉亭. 山西平遥推光漆非物质文化遗产产业化发展困境及其对策研究[J]. 中原文化与旅游,2025(9):89-91.
[28] 原博. 手工造纸技艺的当代价值转化路径探究[J]. 装饰,2023(7):12-20.
[29] 尹婧,安勇. 创新·融合·共生:共同富裕视域下传统手工艺转型升级策略研究[J]. 家具与室内装饰,2024,31(11):59-65.
[30] 巴尼·G. 格拉泽,安塞尔姆·L. 施特劳斯. 发现扎根理论——质性研究的策略[M]. 谢娟,译. 武汉:华中科技大学出版社,2022:26.
[31] 朱莉安娜·S. 奥克塔伊. 扎根理论[M]. 洪佩,译. 上海:上海教育出版社,2023:98-149.
[32] 陈波,杨金泽. 都市旅游符号化审美识别机制与影响路径[J]. 南京社会科学,2024(12):133-145.
[33] 杨莉萍,亓立东,张博. 质性研究中的资料饱和及其判定[J]. 心理科学进展,2022,30(3):511-521.
[34] 张志剑,孙玉姣,姚志臻,等. 文化遗产领域信息层次需求模型构建研究[J/OL]. 图书馆建设,(2025-01-16)[2025-11-20]https://link.cnki.net/urlid/23.1331.G2.20250115.1608.004.
PDF(12416 KB)
渝公网安备50010702505643 渝ICP备15012534号-8
