The work aims to discuss the new concept of immersive art and study how the aesthetic experience is helpful to self-discovery and applied in redesign of artistic creation. The immersive art is a kind of aesthetic experience that inspires perceptual synesthesia, and then makes people rethink the relationship between themselves and the “world” (real and virtual). “Perception”, “Relationship” and “Transformation” are the three main issues that are intertwined and run through the full text and also the research foundation of immersive art. Combined with Heidegger??s notion of “in the world” (“être-au-monde”), it is better to say that people are immersed and perceived in this world than “exist”. However, people??s perception of the surrounding environment is usually unconscious, and their understanding of perception is often indifferent and neglected. Immersive art enables these feelings to be emphasized, highlighting the individual??s ability to perceive movement and at the same time arousing people??s attention to the body. As Bergson put forward, “speculative attention is based on a perception mechanism that fundamentally allows certain actions on the world instead of just understanding the world”. For a complete immersive aesthetic experience process, the most important thing is to allow the audience to participate naturally. When unconscious behavior is transformed into visible visual effects, perceptual feedback, or aesthetic experience, is often more deeply rooted in people??s hearts. Therefore, for the creation of immersive works of art, the Ready-made creation concept of Western artist Marcel Duchamp and the “inaction” thought of Chinese Taoism can be combined to study how to naturally transform the invisible or neglected daily behavior into visible and valued visual effects, thereby exposing multiple potential relationships between the subject and the “world”.