Wuhan University of Technology, Wuhan 430070, China
The work aims to fully reveal Mr. Lei Guiyuan’s unique contribution to the thoughts of design aesthetics, and remind people of paying attention to this precious spiritual heritage, thus providing theoretical basis for the aesthetic creation of contemporary design. Mr. Lei Guiyuan’s New Patterns reveals the rich connotation of design aesthetics from three aspects. As a designer in the machine age, Lei Guiyuan does not deny the aesthetic possibility of machine products; as a designer with rich aesthetic experience, he understands the law of design beauty as setting objects based on the human dimensions, and bases the law of beauty on human dimensions; as a designer with broad vision and deep sense of history, he thinks that the common interest of design is very important, it is the combination of the nature of heaven, earth and human, it is the combination of the mechanism and the“small taste”of handicraft, and it is also the combination of ancient Greek, Egyptian and Chinese excellent traditional design. Mr. Lei Guiyuan's design aesthetics based on human dimensions has similarities in language expression with the paragraph of Marx's Manuscript of Economics and Philosophy in 1844. The conclusion is Mr. Lei Guiyuan's thoughts of design aesthetics is still advanced and reasonable even in the present age, and it can still guide the contemporary design aesthetic practice, and its advanced origin may be related to his acceptance of the influence of Manuscript of Economics and Philosophy in 1844.
张黔.雷圭元《新图案学》中的设计美学思想及与《1844年经济学哲学手稿》的关系[J].工业 工程 设计,2020,2(3):1-10. 复制