探究中西文化交流视域下民国字体设计艺术的“旧”与“新”
作者:
作者单位:

东南大学,南京 211189

作者简介:

刘亚芳(1994—),女,河南人,东南大学硕士生,主攻艺术设计。

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基金项目:

中央高校基本科研业务费专项资金资助项目(2018JDZD03)


Exploring the“Old”and“New”of the Font Design Art of the Republic of China from the Perspective of Cultural Exchanges between China and the West
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Affiliation:

Southeast University, Nanjing 211189, China

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    摘要:

    研究民国字体设计中传统之与西方之的融合,是的基础,是的突破,为民国时“旧”“新”“旧”“新”“新”“旧”两者融会贯通,期字体设计营造了多元化的氛围,并且为当下的字体设计提供了艺术借鉴价值。运用案例比较,归纳演绎等方法,通过分析民国字体设计的时代文化背景,例举民国字体设计的风格种类,阐释民国时期对待古今中外的态度对当下字体设计的影响。传统不是一味地继承,而是应该在继承的基础上创造出新的形式,符合当下的时代精神。将本民族传统中的意蕴与西方新型的技术与思想结合,可以创造出更加有意义,且富有时代精神的字体设计作品,成为引领时代精神文化的核心。

    Abstract:

    The work aims to rescarch the fusion of traditional "old" (the basis of“new ' ) and western "new”(the breakthrough of "old") in the foot design of the Republic of China, so as to create diversified atmospbere for such front design and provide artistic reference value for the current font design. Based on case comparison, inductive deduction and other mecthods, by analyzing the cul-tural background of the Republic of China's font design and exemplifying the types of styles of the Republic of China's font design,the influence of the atitudes towards the ancient, modem, Chinese and foreign countrics in the period of the Republic of China on the curent font design was explained. Tradition was not just inherited blindly, but should create a new form on the basis of inheri-tance, in line with the spirit of the times. Combining the connotation in the national traditon with the new westem tchnologes and ideas can crcate a more meaningful font design work with zeitgeist, which becomes the core of leading the spirit and culture of the era.

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刘亚芳,李轶南.探究中西文化交流视域下民国字体设计艺术的“旧”与“新”[J].工业 工程 设计,2020,2(1):83-90. 复制

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  • 收稿日期:2019-11-18
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  • 在线发布日期: 2020-07-15
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